‘The Norfolk saltmarsh: Elly Griffiths and place in contemporary crime fiction’ in The Routledge Companion to Crime Fiction and Ecology, edited by Nathan Ashman (Routledge, 2023).
‘Engaging with sources: television and history’, Bloomsbury History: Theory and Method (Major Digital Resource, 2023).
Lower-Middle-Class Nation: the Office Worker in British Popular Culture (Bloomsbury, 2021)
‘Screening Twenty-First Century Sight: Adaptation and the ‘Most Perfect […] Observing Machine’’, Adaptation (2018)
‘Nature and Nostalgia: Recovering the Lost Idyll in British Crime Library Detective Fiction’, Green Letters, 22.1 (March 2018) (Crime Fiction and Ecology): 1-12
‘Presenting the Past: On Television History as Drama and Documentary’, in Sam Edwards, Michael Dolski, and Faye Sayer (eds.), Histories on Screen: The Past and Present in Anglo-American Cinema and Television (Bloomsbury Academic, 2017): 277-291
‘The Nature of Nostalgia’, in Rosemary Shirley and Verity Elson (eds.), Creating the Countryside: the Rural Idyll (Paul Holberton Publishing, 2017), 101-104